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作 者:卢军霞 Lu Junxia
机构地区:[1]南京大学中国新文学研究中心
出 处:《上海文化》2023年第8期54-64,共11页Shanghai Culture
摘 要:面对席卷全球的生态危机,以吴明益、伊格言、高翊峰为代表的21世纪中国台湾地区科幻作家有感于历史与现实的剧烈变动,通过调整文学类型与美学形式的疆界,将科幻与生态的双向联动推向崭新高度。他们秉持自觉的问题意识,围绕末世灾难、生态疗愈、自然伦理等多重议题,在《复眼人》《零地点》《2069》中正式开启对宰制性社会的批判、自然隐性价值的尊崇以及万物共生伦理的宣扬,进入“人类世”概念下新地球与新物种的生态想象。这种超越性思考不仅有力回应了困扰台湾地区社会多年的环境痼疾与文明弊病,更反映出当代知识分子所应具有的生态责任感与使命感,促使大众对人类与自然之间的关系拥有更加深刻的认知思辨。As for the global ecological crisis,science fiction writers in Chinese Taiwan in the new century,represented by Wu Mingyi,Yi Geyan,and Gao Yifeng,have keenly observed the drastic changes in history and reality and pushed the dual interaction between science fiction and ecology to a new height by adjusting the boundaries of literary genres and aesthetic forms.They consciously explore themes such as post-apocalyptic disasters,ecological healing,and natural ethics in works like The Man with Compound Eyes,Ground Zero,and 2069,with a sharp criticism on oppressive societies,a reverence for nature,and promotion of a philosophy of symbiosis,delving into the ecological imagination of new Earth and new species in the context of the "Anthropocene"concept.This transcendent thinking not only effectively addresses long-standing environmental problems and shortcomings of civilization that have plagued Taiwan,but also reflects the sense of responsibility and mission that contemporary intellectuals should possess,prompting the public to develop a deeper perception of the relationship between human andnature.
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