1920年代“新文坛”与沈从文的自叙传写作  

The New Literary Circles in the 1920s and Shen Congwen’s Autobiographic Writings

作　　者：李紫璇 姜涛[1] Li Zixuan;Jiang Tao(Peking University)

机构地区：[1]北京大学中国语言文学系

出　　处：《写作》2023年第4期81-90,共10页Writing

摘　　要：沈从文在长达十年的作家养成阶段中写作的自叙传,为作家风格自觉的过程充当着参照系。自叙传最初作为文坛风尚受到青年的追捧,为初入文坛的沈从文提供了可资模仿的文学形式。随着自叙传在消费性的文坛环境中泛滥流行,沈从文在写作过程中对这种抒情模式的限度有所警觉。30年代初,通过评价郁达夫自叙传小说的得失,沈从文在对自叙传的扬弃中树立了自己的写作观。沈从文的写作道路表明,现代作家主体自觉意识的取得离不开文坛的制约与塑造。The autobiographic writings of Shen Congwen during the ten-year period of the writer’s self-development serve as a reference frame for the process of his consciousness of writing style.Being initially sought-after by young people as a fashion,autobiographic novels provided as a literary form that could be imitated for Shen,who had just entered the literary circles.With the prevalence of autobiographic novels in the consumptive literary conditions,Shen became aware of the limitations of this lyrical mode during his writing process.In the early 1930s,by evaluating the gains and losses of Yu Dafu’s autobiographic novels,Shen established his own view of writing based on the sublation of the former.Shen Congwen’s writing path indicates that the selfconsciousness of modern writers cannot be achieved without the constraints and shaping of the literary circles.

关 键 词：沈从文 自叙传 新文坛 文学青年 

分 类 号：H315[语言文字—英语]