论莆仙戏兰花指形异的取象与寄意  

On the Image Taking and Meaning of the Different Finger Shape of Puxian Lan Hua Finger Gesture

作　　者：叶佩瑾 谢欣琪 丁铮 YE Peijin;XIE Xinqi;DING Zheng(School of Landscape Architecture and Art,Fujian Agriculture and Forestry University,Fuzhou Fujian 350007,China)

机构地区：[1]福建农林大学园林学院与艺术学院,福建福州350007

出　　处：《莆田学院学报》2023年第4期85-89,共5页Journal of putian University

基　　金：中国农林高校设计艺术联盟专项资助项目(111900050)。

摘　　要：探索莆仙戏兰花指的源流;简述莆仙戏的兰花指与其他戏剧兰花指的形态差异,指出形异的时代因素、人文意义与设计价值。而莆仙戏的兰花指从取象到寄意,体现了莆仙地区人民肯定本我主位和自我价值。The paper explores the origin of Puxian Lan Hua finger gesture,briefly describing the shape difference between the Lan Hua finger gesture of Puxian Opera and other dramas,and pointing out the times factors,humanistic significance and design value of the shape difference.The Lan Hua finger gesture of Puxian Opera,from taking images to expressing meanings,reflects the affirmation of the identity and self-values of the people in Puxian region.

关 键 词：莆仙戏 兰花指 形态差异 自我价值 

分 类 号：J825.572[艺术—戏剧戏曲]