微宇宙:新浪潮的咖啡馆  

A Whole World:The Cafes of the French Neww Wave

作　　者：安托万·德巴克 蔡文晟(翻译) Antoine de Baecque

机构地区：[1]巴黎高等师范学院 [2]湖北经济学院新媒体系 [3]法国巴黎第十大学

出　　处：《全球城市研究（中英文）》2023年第3期130-140,192,193,共13页Global Cities Research

摘　　要：本文探讨了咖啡馆在20世纪60年代兴起的法国新浪潮运动电影中的角色。咖啡馆为克劳德·夏布洛尔、埃里克·侯麦、让-吕克·戈达尔和弗朗索瓦·特吕弗等那一代导演提供了重要的战略空间,为聚会、交谈、诱惑、描绘日常生活提供了熟悉而自然的环境。巴黎的咖啡馆是电影中波西米亚风的年轻人的中心场所,他们常被描绘成知识分子、艺术家及叛逆者。咖啡馆也是观察城市生活的地方,展示了街道、路人及城市特有声音。通过在真实的社会空间而非摄影棚进行拍摄,新浪潮电影人真实捕捉到了巴黎咖啡馆的生活体验,并以此为手段探讨了疏离、幻灭和存在主义等主题。This article explores the role of cafes in the films of the French New Wave movement that emerged in the 1960s.Cafes made up crucial strategic spaces for this generation of filmmakers,such as Claude Chabrol,Eric Rohmer,Jean-Luc Godard and Francois Truffaut,offering a familiar and natural stting for meeting,conversation,seduction,and depicting everyday life.The afes of Paris were a central location for the young.bohemian characters of these films,who were often portrayed as intellectwals,artists,and rebels.Cafes also served as a place from which to observe urban life,including the streets,passersby,and the specific soundscape of the city.By filming in authentic social spaces rather than studios,the New Wave filmmakers truly aptured the lived experience of Parisian cafes,while using them as a means to explore themes of alienation,disillusionment,and existentialism.

关 键 词：咖啡馆 法国新浪潮 城市生活 青年文化 

分 类 号：J905[艺术—电影电视艺术]