赋画双绝:魏璀《捣练赋》与张萱《捣练图》  

Fu and Painting Both Unsurpassed:WEI Cui's Ramming and Washing Silk Fu and ZHANG Xuan's Ramming and Washing Silk Picture

作　　者：阳清 YANG Qing(School of History and Administration,Yunnan Normal University,Kunming,Yunnan,650500)

机构地区：[1]云南师范大学历史与行政学院,云南昆明650500

出　　处：《深圳大学学报（人文社会科学版）》2023年第4期36-43,共8页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：国家社科基金一般项目“中国绘画美学‘真’‘实’论研究”(19BZX130)。

摘　　要：作为语言和时间艺术的辞赋,可与作为视觉和空间艺术的绘画互文会通。魏璀《捣练赋》与张萱《捣练图》均产生于玄宗时代,其创作共性表现为以唐人“捣衣”事象为原型,通过厘清误读与生活还原,成为演绎盛唐文学与绘画“语图互文”、艺美互渗的经典文艺作品。魏赋与张画之所以俱臻绝妙,其关键在于艺术构思层面的“博见贯一”之功。抑又从艺术侧重看,魏赋以“闻砧”为线索来充分表现联想与传情,张画则主要通过拆解与重组、遮蔽与增设、再现与传承,全面展示“观物取象”之高超技法。从艺术个性看,魏赋可见“内省”之特色,特别注意融入“自我”意识以实现立意升华;张画则有“气韵生动”之亮点,可谓“神韵”与“动感”兼具并存。魏赋与张画卓然独立,交相辉映,堪称“赋画双绝”,客观上彰显了盛唐文艺精神的永恒魅力。Fu,as the art of language and time,can be inter-textual with painting,which is the art of perspective and space.WEI Cui's Ramming and Washing Silk Fu and ZHANG Xuan's Ramming and Washing Silk Picture were both born in the Xuanzong era.Their creative commonality were reflected in the Tang Dynasty's phenomenon of ramming and washing silk as the prototype,and by clarifying misreading and restoring life,they had become classic literary works that interpreted inter-textual between language and image of the prosperous Tang Dynasty.The key to the excellence of WEI's Fu and ZHANG's picture lied in their artistic conception,which characterized by their broad and consistent ability.From the perspective of artistic emphasis,WEI's Fu fully expressed associations and emotions through the clue of hearing anvil,while ZHANG's picture mainly demonstrated the superb techniques of observing objects and selecting images through disassembly and reorganization,concealment and addition,reproduction and inheritance.From the perspective of artistic personality,WEI's Fu embodied the characteristic of introspection,paying special attention to integrating self-awareness to achieve sublimation of ideas.ZHANG's picture had the highlight of vivid charm,which could be said to coexist with spiritual charm and dynamic feeling.WEI's Fu and ZHANG's picture stand out in their independence,enhanced each other's beauty,and both unsurpassed,objectively demonstrated the eternal charm of the literary and artistic spirit of the prosperous Tang Dynasty.

关 键 词：魏璀《捣练赋》 张萱《捣练图》 语图互文 盛唐文艺 

分 类 号：I22[文学—中国文学] J22[艺术—美术]