戏剧生态与《红楼梦》中的人物形象  

The Drama Ecology and the Characters in A Dream of Red Mansions

作　　者：肖贵成 XIAO Gui-cheng(Department of Basic education,Qiannan Preschool Education College for Nationalities,Guiding,Guizhou 551300,China;School of Literature,Suzhou University,Suzhou,Jiangsu 215000,China)

机构地区：[1]黔南民族幼儿师范高等专科学校基教系,贵州贵定551300 [2]苏州大学文学院,江苏苏州215000

出　　处：《沧州师范学院学报》2023年第3期51-55,123,共6页Journal of Cangzhou Normal University

基　　金：2019年度国家社科基金冷门“绝学”和国别史等研究专项“中国少数民族戏曲剧种优秀剧目整理与研究”,编号:No.19VJX147;2022年度国家社会科学基金重大项目“西南少数民族戏剧中华传统题材剧本整理与研究”,编号:No.22&ZD283。

摘　　要：清乾隆一朝,中国戏剧呈现繁荣之态。繁荣的戏剧生态为塑造《红楼梦》中的人物形象提供了十分重要的条件。《红楼梦》借助各个人物在听戏、看戏和评戏中的不同表现,细腻地刻画了人物形象,展现了人物的独特个性,塑造了典型。During the Qianlong reign of Qing Dynasty,Chinese drama experienced a prosperous development.The prosperous drama ecology provides very important conditions for shaping the character images in A dream of Red Mansions.The novel A dream of Red Mansions,through showing the different performances of various characters in listening to,watching,and judging plays,delicately portrays the characters’images,showing their unique personalities and shaping typical characters.

关 键 词：戏剧生态 《红楼梦》 人物形象 

分 类 号：I207.41[文学—中国文学]