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作 者:萧净宇[1] Xiao Jingyu(School of European Languages and Cultures,Guangdong University of Foreign studies,Guangzhou 510420,China)
机构地区:[1]广东外语外贸大学西方语言文化学院
出 处:《外国文学研究》2023年第4期100-111,共12页Foreign Literature Studies
基 金:教育部人文社科规划基金项目“当代俄罗斯文学阐释学思潮研究”(21YJA752012)。
摘 要:伴随1980年代国际学术界出现重大转向和阐释学回归俄罗斯,当代俄罗斯文学阐释学日益发展,显示出鲜明的学理性、强大的生命力和广泛的影响力。作为一个重要的发展方向和学术流派,莫斯科学派在当代俄罗斯文学阐释学的形成与发展中发挥着重要作用。该学派以俄罗斯本土阐释学传统为基础,借鉴西方阐释学和现象学理论,既从俄罗斯凝视西方学界,又从西方回望俄罗斯学界,大致呈现出介乎俄罗斯和西方学术之间的间性特征。莫斯科学派在学术路径上倡导文学阐释与哲学思辨的跨界协同,在方法根基上立足阐释学-现象学与体裁诗学的共融并举,在阐释视域上注重俄罗斯传统与德国阐释学的交融互鉴,由此形成具有文本间性和交往理性倾向的跨界诗学。宏观而论,莫斯科学派的跨界诗学不仅构成兼具普遍性和独特性的当代俄罗斯诗学话语和理论表征,而且形成与当代西方阐释学和文艺学有机交互和彼此对话的关系,在很大程度上彰显出当代俄罗斯文学理论融入世界文论的力度与效度、对话世界文论的广度与深度。With the significant shift in the international academia and the return of hermeneutics to Russia in the 1980s,contemporary Russian literary hermeneutics has further advanced,demonstrating its distinct academic rationality,strong vitality,and extensive influence.As an important trendsetter and academic school,the Moscow School plays a key role in the formation and development of contemporary Russian literary hermeneutics.Building upon Russia's own tradition of hermeneutics,it draws inspiration from Western hermeneutics and phenomenological theories and substantially presents the intersecting features between the Russian and Western academia by looking closely at the Western scholarship from the Russian perspective,and vice versa.In its scholarly pursuit,the Moscow School initiates a cross-border collaboration between literary interpretation and philosophical speculation,adopts the concurrent inclusion of hermeneutics-phenomenology and genre poetics as a methodological base,and emphasizes on the integration and mutual learning between Russian tradition and German hermeneutics for its interpretive perspective,so as to establish a sort of cross-border poetics inclined toward intertextuality and communicative rationality.From a macro perspective,the Moscow School's cross-border poetics has not only established a universal yet unique discourse and theoretical representation of contemporary Russian poetics,but also facilitated an organic interaction and dialogue with contemporary Western hermeneutics and literary studies,which to a large extent highlights how dynamically and effectively contemporary Russian literary theory has integrated into world literary theory and how broadly and deeply it has engaged world literary theory in dialogue.
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