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作 者:杨依依 Yang Yiyi(School of Foreign Studies,Nanjing Normal University,Nanjing 210024,China)
机构地区:[1]南京师范大学外国语学院
出 处:《外国文学研究》2023年第4期137-148,共12页Foreign Literature Studies
基 金:国家社会科学基金重点项目“19世纪俄罗斯文学体裁演变史研究”(21AWW004)。
摘 要:华兹华斯笔下的自然是富含文化属性的且可以被文本化的自然。在自然与文化互动过程中形成的意义单元可称之为自然文本。自然文本不仅指涉自然环境,同时也指涉文学创作本身。从这个意义上说,自然不仅是人类意识的延伸或寄托感情的工具,而且是独立、自足的存在,是一个拥有符号潜力的主体,亦是文学创作过程中的动态参与者。因此,华兹华斯对自然的刻画和描摹也可视为“转码”的艺术行为,旨在还原自然与人类文化符号的双向交流。与传统浪漫主义诗学观不同,从符号学视角来看,这一双向交流即是诗人如何运用自然与直觉思维,从而实现自然文本的诗化过程。The nature in Wordsworth's poetry is culturally-loaded,but it can also be textualized.The units of meaning formulated in the interplay between nature and culture can be called Nature-Text.Nature-Text refers to the natural environment and literary writing itself as well.In this sense,nature is not only an extension of human consciousness or a tool for expressing feelings,but also an independent and self-sufficient existence.In other words,it is both a subject with symbolic potential and a dynamic participant in the process of literary writing.Therefore,Wordsworth's portrayal and description of nature can also be perceived as an artistic performance of"transcoding,"aiming at restoring the two-way communication between nature and the cultural signs of humankind.Different from the traditional concept of Romantic poetics,this two-way communication can be interpreted from a semiotic perspective as a process where the poet adopts natural and intuitive thinking to complete the versification of Nature-Text.
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