«文心雕龙»对温峤文学形象的发覆  

Wenxin Diaolong reshapes Wen Qiao's literary image

作　　者：杨泽斌 YANG Zebin(School of Literature,Jiangxi Normal University,Nanchang,Jiangxi,330022,China)

机构地区：[1]江西师范大学文学院,江西南昌330022

出　　处：《豫章师范学院学报》2023年第4期37-40,共4页Journal of Yuzhang Normal University

摘　　要：温峤在杂剧«温太真玉镜台»中近乎丑角的行径与史载形象颇为不同,几近轻诋.以此为原点,不难发现温峤在文学视域下的形象多与“玉镜台”一事相关,又因作者创作观念的不同而呈现出错杂模糊的面貌.刘勰在«文心雕龙»中多次论及温峤,其评价既多且高,可分为“循理而清通”“恳恻于费役”“以文清故引入中书”三类,不仅对应了刘勰思想中的“才气”“德行”和“文用”三个标准,亦可视为对温峤文学形象的一种发覆.Wen Qiao's behavior as a clown in the opera Wen Taizhen Yujingtai is very different from the image recorded in history,almost insulting.Taking this as the starting point,it is not difficult to find that WenQiao's image in the literary perspec-tive is mostly related to the"Yujingtai",and it presents a vague appearance due to the different creative concepts of the author.And Liu Xie mentioned Wen Qiao many times in Wenxin Diaolong,and his evaluation was very good.It can be divided into three categories:“following the truth of things and being accessible”,“being loyal and sincere to the country”,and“introducing politics because of fresh writing”.It not only corresponds to the three criteria of“literary talent”,“virtue”and“literary func-tion”in Liu Xie's thought,but can also be regarded as a reshaping of Wen Qiao's literary image.

关 键 词：温峤 «文心雕龙» 才气 德行 文用 

分 类 号：I206.2[文学—中国文学]