文体也是作家思想的呈现  

Stylistics Expresses Authors'Thought

作　　者：谢有顺 Xie Youshun

机构地区：[1]中山大学中国语言文学系,广州510275

出　　处：《中国文学批评》2023年第3期126-135,191,共11页Chinese Journal of Literary Criticism

摘　　要：中国文学能否从传统向现代转换,和小说文体自觉的建立密切相关。鲁迅之后,沈从文、汪曾祺等人,都极大地丰富了小说的文体风格。20世纪80年代先锋小说的兴起,更是引发了小说叙事和小说文体的全面变革。但过度强调文体探索,也可能走向语言游戏或修辞崇拜。文学的贫乏有时不是因为缺少文体探索,而是因为对文体的迷信和滥用。文体也是作家思想的呈现。一切的文体革命都是为了让小说变得丰富、复杂且充满可能性,它在扩大小说艺术边界的同时,也在不断辨明小说为何物。现代小说无论怎样自我革命,它存在的根基就在于它是小说,而不是别的文体。The rise of vanguard novels in the 1980s triggered a comprehensive reform in narrative and stylistics of fiction.But overemphasizing stylistic exploration may lead to language games or the worship of rhetoric.Sometimes the poverty of literature is not due to the lack of stylistic exploration,but because of the superstition and abuse of stylistics.Stylistics expresses authors'thoughts.Stylistic reforms aim to make fiction rich,complex and full of possibilities.Furthermore,stylistic reforms are constantly identifying what constitutes fiction in addition to expanding the artistic boundaries of fiction.

关 键 词：文体自觉 艺术探索 写作转型 文学共识 

分 类 号：I207.42[文学—中国文学]