新时代方志体长篇小说的文体特征  

The Stylistic Feature of Chorographic Novel in the New Era

作　　者：晏杰雄[1] Yan Jiexiong

机构地区：[1]中南大学人文学院,长沙410083

出　　处：《中国文学批评》2023年第3期136-145,191,192,共12页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金项目“新中国长篇小说文体发展史”(20BZW171)阶段性成果。

摘　　要：新时代以来,一个显著的文学现象是方志体长篇小说的潮流化,涌现出一批优秀作品,致力于对方志体叙事资源的真正承继与现代转换。其文体特征主要表现为四个方面:一是对方志体门目体例自觉或不自觉地对接,并承续了古代经籍的旨义;二是赋予古代方志体现代空间小说的质感与张力;三是采用人类学的厚描述方法,从方志体叙录的博观约取扩展到博观微取;四是从方志体的非虚构引渡到文学的虚构,拓展和丰富了记叙语体。新时代方志体长篇小说对于中国传统叙事资源的守正创新具有文体示范意义。Since the new era,the growing popularity of chorographic novel has become a remarkable literary phenomenon.Its stylistic features are manifested in four aspects:first,it consciously or unconsciously connects its structure and style with that of local'chronicles,and inherits the meaning of ancient classics;second,it endows the ancient local chronicles with the texture and tension of modern novels featuring space;third,by adopting thick description of anthropology,the chorographic writing expands the grand narrative approaches to a small-scale and dense description approach;the fourth is that the chorographic writing extends and enriches the narrative style from nonfiction chronicle to literary fiction.

关 键 词：方志体长篇小说 门目体例 现代空间小说 厚描述 文学虚构 

分 类 号：I207.42[文学—中国文学]