网络科幻小说的想象力资源及其审美范式  

The Imaginative Resources of Online Science Fiction and Its Aesthetic Paradigm

作　　者：鲍远福[1] Bao Yuanfu

机构地区：[1]贵州民族大学传媒学院,贵阳550025

出　　处：《中国文学批评》2023年第3期172-180,192,共10页Chinese Journal of Literary Criticism

基　　金：四川网络文学发展研究中心重点项目“网络科幻小说经典文本阐释研究”(WLWX-2021001)阶段性成果。

摘　　要：人类想象力在科幻叙事过程中以三种方式体现,一是生理一心理层面的知觉外化,二是思维认知层面的综合虚构,三是审美建构层面的创造生成。网络科幻小说立足于传统科幻文学的想象力资源进行审美创造,开启了中国科幻文学的“第四次转型”。在“新语”“新知”的构建、文体范式变革以及“后人类形象”等不同维度,网络科幻小说构建了独具特色的想象力话语系统。网络科幻小说的想象力“再生产”立足于现实世界科技革新与文明发展的宏观视野,通过奇观化的想象编码方式激发“爽文学”接受体验,依托想象力“自反性建构”的修辞范式反思历史、当下和未来的诗学内涵,为科幻文艺理论建设与话语更新提供了具有现实指向的审视维度。In different dimensions such as the construction of"new language"and"new knowledge,",the change of literary paradigm,and the creation of the"post-human image,"online science fiction has built a unique imaginative discourse system.Online science fiction's"reproduction"of imagination is based on the macroscopic vision of technological innovation and civilizational development in the real world,stimulates the experience of"cool literature"through the imaginative coding of spectacle,and relies on the rhetorical paradigm of the"self-reflexive construction"of imagination to reflect on the poetic connotations of history,the present and the future,providing a realistic perspective for the disciplinary construction of science fiction literary theory and its renewal of discourse.

关 键 词：网络科幻小说 想象力资源 审美范式 文体变革 自反性建构 

分 类 号：I207[文学—中国文学]