西夏陶瓷器皿对“文质彬彬”思想的接受  

Acceptance of"Outward Grace Matches Inner Disposition Perfeetly Perfectly"Thought by Xixia Ceramic Ware

作　　者：杨茗皓 Yang Minghao

机构地区：[1]景德镇陶瓷大学

出　　处：《中国陶瓷工业》2023年第4期93-98,共6页China Ceramic Industry

摘　　要：西夏在近两百年的历史进程中崇尚汉文化,着重儒学思想给西夏社会带来了物质与精神上的发展。“文质彬彬”作为儒家思想审美观念的核心,不仅规范了西夏人民的日常行为,也间接体现在西夏的手工业制品中。西夏陶瓷作为手工业的重要组成部分之一,其器皿对“文质彬彬”思想的接受程度相对较深,一方面是对“文”形式的延续,表现在西夏陶瓷器皿造型的设计特点、变化及器种的分类上;一方面是对“质”内容的融合,体现在西夏陶瓷器皿中所反映的政治、经济、生活及宗教等方面;另一方面是对“彬彬”和谐统一的显现,在西夏陶瓷器皿中呈现出的文与质、美与善及“礼”的相互博弈。因此,西夏陶瓷器皿对儒家“文质彬彬”的思想给予了深入接受的态势。In the development of nearly two hundred years,Xixia advocated Chinese culture and focused on developing Confucianism,which brought material and spiritual development to Xixia society.As the core of Confucian aesthetic concept,"gentle and gentle"not only standardized the daily behavior of Xixia people,but also indirectly reflected in Xixia handicraft products.Xixia ceramics,as an important part of handicraft industry,has a relatively deep acceptance of the idea of"outward grace matches inner disposition perfeetly perfectly".On the one hand,it is a continuation of the"literary"form,which is manifested in the design characteristics,changes and classification of Xixia ceramic utensils.On the one hand,it is the integration of"quality"content,which is reflected in the politics,economy,life and religion reflected in Xixia ceramic utensils;On the other hand,it is the manifestation of the harmony and unity of"Binbin",and the mutual game between literature and quality,beauty and goodness,and"courtesy"in Xixia ceramic utensils.Therefore,Xixia ceramic ware has deeply accepted the Confucian thought of"outward grace matches inner disposition perfeetly perfectly".

关 键 词：西夏陶瓷 文质彬彬 造型设计 

分 类 号：J527[艺术—艺术设计] K246.3[历史地理—历史学]