基于中国画线性语言的传统陶瓷人物雕塑“以线造型”研究——以何朝宗瓷塑观音的线性语言分析为例  

“Modeling with Lines” of the Traditional Ceramic Figure SculptureBased on Linear Language of Chinese Painting——Taking the linearlanguage analysis of He Chaozong’s Ceramic FigureSculpture “Guanyin” as an example

作　　者：李玲玲[1] LI Lingling(Foshan University,Foshan 528000,Guangdong,China)

机构地区：[1]佛山科学技术学院,广东佛山528000

出　　处：《陶瓷学报》2023年第4期816-822,共7页Journal of Ceramics

基　　金：广东省哲学社会科学“十三五”规划2020年度项目(GD20XYS43)。

摘　　要：传统陶瓷人物雕塑传承中国画的线性语言,形成了“以线造型”的艺术特色。以中国画的线性语言为参照,分析其丰富内涵。以明代何朝宗的瓷塑观音为样本,从线性语言建构造型的意象性、线的书法意味主导造型形式之美、弧线审美阐释瓷塑的情感魅力三个方面对传统陶瓷人物雕塑的“以线造型”进行研究,并探讨了何朝宗瓷塑之“以线造型”对当代陶瓷人物雕塑发展的启示。Traditional ceramic figure sculpture inherits the linear language of Chinese painting and forms an artistic feature of“modeling with lines”.The linear language of Chinese painting is taken as the reference system,where its rich connotation is analyzed.Taking ceramic figure sculpture“Guanyin”of He Chaozong,the“Porcelain Saint”of the Ming Dynasty,as an sample,the concrete embodiment of“modeling with lines”in traditional ceramic figure sculpture was studied,which three aspects can be summarized,i.e.,(i)the image modeling based on linear language,(ii)constructing the beauty of form with calligraphy consciousness and(iii)expressing emotions with curve.At the same time,the inspiration of“modeling with lines”of He Chaozong’s porcelain sculpture for the development of contemporary ceramic figure sculpture is analyzed.

关 键 词：线性语言 传统陶瓷人物雕塑 以线造型 意象 书法意味 情感 

分 类 号：TQ174.74[化学工程—陶瓷工业]