新疆曲子戏与陕甘眉户渊源关系研究  

A Study on the Origin of Xinjiang Music Play from the Meihu Music Song of Shaanxi and Gansu

作　　者：韩笑[1] Han Xiao(Xinjiang Arts University,Urumqi 830002)

机构地区：[1]新疆艺术学院,乌鲁木齐830049

出　　处：《新疆艺术学院学报》2023年第3期25-28,共4页Journal of Xinjiang Arts University

基　　金：国家社科基金艺术学重大项目《中国戏曲剧种艺术体系现状与发展研究》(项目编号:19ZD03)阶段性成果。

摘　　要：文章在概述陕甘眉户(小曲子)沿河西走廊一路向西到达新疆的前提下,总结了新疆方言是在陕甘方言基础上融合变化形成的,进而促进了陕甘眉户演化成“新疆曲子”的进程。眉户(小曲子)在原有曲调的基础上融入了新疆多民族的音乐素材,形成了区别于眉户母体的“新疆曲子”,在历代曲子艺人的继承与发展后最终形成了别具特色的“新疆曲子戏”。With the overview of the Meihu music song of Shaanxi and Gansu traveling westward along the Hexi Corridor to Xinjiang,the paper argues that the Xinjiang dialect was formed by the integration and transformation of Shaanxi and Gansu dialect,thereby promoting the evolution of the Meihu music song of Shaanxi and Gansu into"Xinjiang music song"."Xinjiang music song"was formed on the basis of the melody of the Meihu music song and the integration of the music from the ethnic groups in Xinjiang.However,it distinguished itself from the Meihu music song.With the hard work of the generations of Xinjiang musicians,"Xinjiang music song"was ultimately developed into the unique"Xinjiang music play".

关 键 词：新疆曲子 方言 眉户 继承发展 

分 类 号：J825[艺术—戏剧戏曲]