南唐审美尚好视角下繁昌窑器物釉色转向研究  

A Study on the Change of Glaze Color of Fanchang Kiln Utensils from the Perspective of Aesthetic Taste in the Southern Tang Dynasty

作　　者：胡小兵 Hu Xiaobing(Anqing Normal University,Anqing 246052)

机构地区：[1]安庆师范大学,安庆246052

出　　处：《新疆艺术学院学报》2023年第3期34-43,共10页Journal of Xinjiang Arts University

基　　金：安徽省哲学社会科学规划项目“五代宋初繁昌窑青白瓷设计研究”(项目批准号:AHSKY2022D205)研究成果。

摘　　要：繁昌窑创烧于晚唐,在五代、北宋初期达到盛期。繁昌窑早期生产白瓷,在南唐时期向青白釉瓷器转换,并成为南方专烧青白瓷的窑口,为青白瓷的发展做了很好铺垫。繁昌窑缘何在“南青北白”瓷业格局下在南唐时期实现青白瓷品类的出现?从繁昌窑青白瓷胎料与釉料的化学成分数据变化来看,不仅受到人口迁移带来的窑业技术融合的影响,更是南唐审美尚好的结果。南唐对“缥”色的偏好以及慕尚清贵之风皆为证明。将繁昌窑置于南唐社会背景下探究其釉色转向具有十分重要的研究价值。Fanchang Kiln Started in the late Tang Dynasty and reached its peak in the period of the Five Dynasties and Ten Kingdoms and the early Northern Song Dynasty.Fanchang Kiln produced white porcelain in its early age and turned to the production of cyan and white glazed porcelain during the Southern Tang Dynasty.It became a kiln specializing in cyan and white porcelain in southern China,laying a good foundation for the development of blue white porcelain.Why did Fanchang Kiln develop the cyan and white porcelain categories during the Southern Tang Dynasty when the northern China featured the cyan porcelain and the southern China featured white porcelain?From the changes in chemical composition data of the cyan and white porcelain body and glaze materials of Fanchang kiln,it can be seen that it is due to the integration of kiln technology brought about by population migration,and the result of aesthetic taste in the Southern Tang Dynasty as well.The preference for the light blue color in the Southern Tang Dynasty and the trend of admiring the moral loftiness and elegance are all evidence.It is of great research value to place the Fanchang kiln in the context of Southern Tang society to explore its glaze color transition.

关 键 词：繁昌窑 釉色转向 南唐审美 

分 类 号：J527[艺术—艺术设计] K243.2[历史地理—历史学]