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作 者:熊妮 郭瀚繁 XIONG Ni;GUO Hanfan
机构地区:[1]云南艺术学院民族艺术研究院,昆明650000
出 处:《浙江艺术职业学院学报》2023年第2期85-91,共7页Journal of Zhejiang Vocational Academy of Art
摘 要:傣族孔雀舞是流布于云南傣族聚居区的传统民间舞蹈,是第一批国家级“非遗”舞蹈。在当代环境下,傣族孔雀舞的传承现状呈现出新面貌。在“非遗”语境下,研究当代傣族孔雀舞的传承现状,发现传承主体和传承路径,加强政策扶持与交流推广,促进学术探讨与系统传承,是现阶段傣族孔雀舞传承与发展的关键任务。The Dai peacock dance is a traditional folk dance distributed in the Dai settlement area of Yunnan Prov⁃ince,and it is one of the first national intangible cultural heritage dances in China.In the contemporary environment,the current situation of the inheritance of the Dai peacock dance presents a new face.In the context of“intangible cultural heritage,”the current situation of the inheritance of Dai peacock dance is studied,and it is found that the inheritance subjects of Dai peacock dance include active and passive inheritance subjects.The inheritance paths are the establishment of the protection system and strengthening policy support at the government level,the inheritance teaching and exchange and promotion at the inheritor level,the introduction of teaching system and promotion of sys⁃tematic inheritance at the campus level,the academic discussion and exchange and active leadership and promotion at the expert and scholar level,and the technical data support and opportunities and challenges at the new media level.
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