人民文艺是怎样炼成的——对延安时期文艺活动的再考察  

How is People’s Art Possible:A Review of Art Activities in Yan’an Period

作　　者：张丹 党婉莹 ZHANG Dan;DANG Wanying(School of Language and Literature,Yan’an University,Yan’an 716000,China)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《广西科技师范学院学报》2023年第3期40-49,共10页Journal of Guangxi Science & Technology Normal University

基　　金：陕西省教育厅人文社科专项项目“齐美尔与马克思主义艺术社会学的关系研究”(21JK0435)。

摘　　要：延安时期的人民文艺对当前人民文艺的发展具有重要的启示。从社会系统论的视角看,延安时期的人民文艺活动得益于三个系统的共同运作:一是政治系统中坚定的文艺政策,二是艺术系统中有信仰、有深层生命体验与实践动力的艺术家,三是社会系统中鲜活质朴、积极进步的人民群众。因此,延安时期人民文艺的兴盛绝非某一艺术家个体或某一社会团体独自促成的,它关涉到整个社会系统内部的多重互动与选择,是作为社会子系统的艺术系统借助个体间的交互效用所达成的。这场艺术实践为我们理解艺术系统、艺术自律、艺术与政治的关系、艺术与人民的关系等提供了新的思考点。The people’s art in Yan’an period has important enlightenment value for the development of people’s art at present.From the perspective of social system theory,people’s art activities in Yan’an period benefited from three aspects:first,the firm art-policy in the political system;second,artists with strong faith,deep life-experience and practice motivation;third,the alive and progressive people in the social system.There⁃fore,the prosperity of people’s art in Yan’an period was not solely promoted by individual artists or social groups,but involved multiple interactions and choices within all social systems,and was achieved by the art sys⁃tem as a social subsystem with the help of the interaction between individuals.All in all,this art practice pro⁃vides a new thinking pattern for us to understand the art system,art self-discipline,the relationship between art and politics and even society,the relationship between art and even the audience.

关 键 词：人民文艺 延安时期 社会系统 艺术系统 交互效用 

分 类 号：I200[文学—中国文学]