从“罗记群舞台”到“云南戏剧改进社”:云南滇剧的战时困顿  

From“Luo's Group Stage”to“Yunnan Opera Improvement Club”:the Wartime Hardship of Yunnan Opera

作　　者：方冠男[1] Fang Guannan(the School of Drama,Yunnan University of Arts,Kunming,Yunnan,650504)

机构地区：[1]云南艺术学院戏剧学院,云南昆明650504

出　　处：《民族艺术研究》2023年第4期97-105,共9页Ethnic Art Studies

基　　金：2021年度国家社科基金艺术学一般项目“云南话剧百年”(项目批准号:2021BB00260)的阶段性研究成果。

摘　　要：作为滇剧演出班社,罗记群舞台在有限的内循环经济体系中探索,这代表的是滇剧在市场向度的实践努力。但从历史事实来看,这一探索的结果并不成功,因为,在一个社会经济总量不断缩水的战时大环境里,文化产品并不能够自由发展,于是,官办色彩的云南戏剧改进社应运而生。对于滇剧来说,从罗记群舞台到云南戏剧改进社的演变,其中有一个滇剧从商业产品走向政治附属的转变。这种转变既是经济市场下行背景下的无奈选择,也是云南滇剧战时困顿的典型表现。As a Yunnan opera club,Luo's group stage explored in the limited inner circular economy system,which represented the practical efforts of Yunnan opera in the market dimension.However,from historical facts,the result of this exploration was not successful.Because in a wartime environment where the total social economy was constantly shrinking,cultural products that did not create real economic value could not develop freely.Therefore,Yunnan Opera Improvement Club with political complexion came into being.As for Yunnan opera,during the evolution from the Luo's group stage to Yunnan Opera Improvement Club,there was a shift from commercial products to political affiliations.This change is not only a helpless choice under the economic decline,but also a typical manifestation of the wartime hardship faced by Yunnan Opera.

关 键 词：滇剧 罗记群舞台 云南戏剧改进社 战时困顿 

分 类 号：J825[艺术—戏剧戏曲]