从《金瓶梅词话》透视古本《水浒传》武松形象--兼及杭州容本《水浒传》万历时代之创新  

Examining the Image of Wu Song in the Ancient Version of Water Margin Through The Plum in the Golden Vase:Rhythmic Explanation--A Comparative Study with the Hangzhou Rong Edition of Water Margin During the Wanli Era

作　　者：宋伯勤 杨东锋 SONG Bo-qin;YANG Dong-feng(Yandu District Political and Legal Committee,Yancheng Jiangsu 224001,China;Yancheng Experimental High School,Yancheng Jiangsu 224001,China)

机构地区：[1]盐城盐都区政法委,江苏盐城224001 [2]盐城实验中学,江苏盐城224001

出　　处：《菏泽学院学报》2023年第4期135-138,共4页Journal of Heze University

摘　　要：《金瓶梅词话》中武松打虎与杀嫂呈现出的武松形象,应是源自正德嘉靖之前文化的古本。通过《金瓶梅词话》本可以大致看到古本《水浒传》的武松原始形象;杭州容与堂本《水浒传》已重塑了新武松等人物形象,容本是以万历时代文化理念创新的一部全新作品。The character portrayal of Wu Song,including his tiger-slaying and killing of his sister-in-law in The Plum in the Golden Vase:Rhythmic Explanation is believed to have originated from ancient versions preda-ting the Zhengde and Jiajing eras.By examining The Plum in the Golden Vase:Rhythmic Explanation,we can gain insights into the original portrayal of Wu Song in the ancient versions of Water Margin.The Hangzhou Rongyutang Edition of Water Margin have reshaped the character depictions,including that of Wu Song,representing innovative works influenced by the cultural ideals of the Wanli era.

关 键 词：《金瓶梅词话》 古本《水浒传》 容与堂本《水浒传》 武松 

分 类 号：I207.412[文学—中国文学]