“个体诗学”的内涵与建构——以臧棣为例  

The Connotation and Construction of “Individual Poetics”: Taking Zang Di as an Example

作　　者：余文翰 YU Wenhan

机构地区：[1]香港都会大学人文社会科学院,中国香港999077

出　　处：《海峡人文学刊》2023年第3期96-103,159,共9页Journal of Humanities Across the Straits

摘　　要：20世纪90年代唐晓渡提出了“个体诗学”这一当代诗学中的重要概念。本文自臧棣的诗歌创作与批评经历出发,讨论其以想象力为核心的“诗学系统”,分析他在“当代诗”的写作实践中所形成的具有中介性的语言品质,并通过无中心结构与无主题诗的协作、以诗论诗的写作方式、及物与不及物的调和,说明其艺术思想与风格的相互生成。总体上,一个不断开拓着写作道路的“诗学系统”和在写作中发展自身观念的实践品质,以及理论与实践的相互生成共同构成了“个体诗学”的主要内涵。In the 1990s,Tang Xiaodu put the important concept of“Individual Poetics”into contemporary poetics.This paper starts with the poetic creation and experiences of criticism of Zang Di,discusses its poetic system with imagination as the core,analyzes the language medium he formed in the writing practice of Contemporary Poetry,explains the mutual generation of his artistic thoughts and styles,through the collaboration between non-central structure and non-themed poetry,the poetic discussions in the form of poetry,and the coordination of transitive and intransitive writing.In general,a poetic system that constantly expands the path of writing,the practical quality that develops literary ideas in writing,and the mutual generation of theory and practice constitute the main connotation of“Individual Poetics”.

关 键 词：个体诗学 臧棣 想象力 诗学 当代诗 

分 类 号：I207.2[文学—中国文学]