东西方诗意现实主义的交汇与碰撞——论村上春树《挪威的森林》  

The Intersection and Collision of Eastern and Western Poetic Realism——On Norwegian Wood by Haruki Murakami

作　　者：芦丽红 LU Lihong(School of Foreign Languages,Shanghai Dianji University,Shanghai 201306,China)

机构地区：[1]上海电机学院外国语学院,上海201306

出　　处：《中州大学学报》2023年第4期22-26,共5页Journal of Zhongzhou University

摘　　要：《挪威的森林》是村上春树的一部后现代主义文学作品,作品中大量使用了西方文化符号,将诗意现实主义同主人公的生活意境有机联系在一起,再现了日本都市青年在彷徨和苦闷中尚存的浪漫主义自娱自乐生活精神。在这部后现代主义作品中,东西方诗意现实主义的交汇与碰撞,让读者既体验到了西方文学的浪漫氛围,又看到了东方文化雕刻在青年一代身上的传统印记。Norwegian Wood is a postmodernist literary work by Haruki Murakami,which uses a large number of Western cultural symbols,organically links poetic realism with the life artistic concept of the protagonist,and reproduces the romantic self-entertaining life spirit of the young people in Japanese urban life midst of hesitation,depression and self-isolation.The intersection and collision of the poetic realism of the Middle East and the West in this postmodern work allows readers to experience the romantic atmosphere of Western literature and to see the traditional imprint of Eastern culture on the young generation.

关 键 词：村上春树 诗意现实主义 后现代主义 叙事手法 

分 类 号：I106[文学—世界文学]