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作 者:康雯 KANG Wen(School of Liberal Art,Hunan Normal University,Changsha 410081,China)
出 处:《宜春学院学报》2023年第7期74-79,共6页Journal of Yichun University
基 金:国家社科基金项目“后理论语境下文论话语新形式主义转向研究”(项目编号:21BZW061)。
摘 要:60年代以来,文学逐渐式微,理论仍大行其道。针对这一现实问题,西方马克思主义者伊格尔顿没有视形式而不见,也没有就理论存而不论。他的《如何阅读文学》作为理论反思的新近扛鼎之作,试图解决的是文学理论的当代境遇与范式转换的难题。其中处于批判发展性谱系中的“形式”作为一个核心载体和中介,承担起了凸显文学性、表征历史性、再现经验性和传达情感性的合力作用,对于理论的泛文化研究起匡正之效。故这种新的形式诗学理论是一种具有解构兼建构精神的理论尝试,带来了研究文学的新方法和路径,也有利于真正的文学性语言的生成。Since the 1960s,literature has gradually declined,while theory is still popular.In view of this practical problem,Eagleton did not ignore the form,nor did he ignore the existence of theory.As a landmark work of theoretical reflection,his How to Read Literature tried to solve the problems of contemporary circumstances and paradigm transformation of contemporary western literary theory,which was a new theoretical attempt.Among them,“FORM”in the critical developmental spectrum,as a core carrier and intermediary,plays a significant role in highlighting literature,representing history,conveying experience and emotion,and correcting theoretical pan-cultural research.Therefore,this new theory of formalism poetics is a kind of theoretical paradigm with the spirit of deconstruction and construction,which brings a new method and a new way to understand and study literature,and is also conducive to the generation of real literary language.
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