"势"与"时"之间——非常建筑未名美术馆评述  

Propensity and Time:No Name Art Museum by Atelier FCJZ

作　　者：吴洪德 WU Hongde

机构地区：[1]上海交通大学设计学院

出　　处：《时代建筑》2023年第3期70-79,共10页Time + Architecture

摘　　要：非常建筑在浙江乌镇的未名美术馆于2021年主体完工.文章通过阅读和分析,试图表明,建筑师使用了宽窄两套院落图式作为框架,并结合了三种空间手法来形成"有作用力的布置":曲院折廊的建筑形式、透视的空间游戏、多分岔路口.这些抽象处理反映了建筑师早期"窥视剧场"主题的最新发展,不仅与吴大羽"势象"的思想产生了回响,并为理解朱利安"势"与"时"的互成关系提供了生动的案例.The mainstructure of the No Name Art Museum in Wuzhen,Zhejiang province,by Atelier FCJZ was completed in 2021.Through reading and analysis,this essaysuggests that a double-courtyard grid of both"wide and narrow"is introduced as the parti of the masterplan,which then embraces three spatial strategies to make an"effective disposition"that includes repeated courtyards and bent terraces,perspectival spaces,and multi-crossroads.This shows the latest development of the architect's early concept of"peepshow theater,"which not only resonates with Wu Dayu's idea of"potencyform"but also provides a case for understanding Francois Jullien's correlative concepts of propensity and time.

关 键 词：吴大羽 弹性时间 透视空间 纯建筑空间 象外之势 

分 类 号：TU-86[艺术—艺术设计] TU255[建筑科学—建筑设计及理论] TU242.5