唐代琵琶谱东流日本的历史演变  

Historical Evolution of Tang Dynasty Pipa Tablatures in their Transfer Eastward to Japan

作　　者：赵维平[1] Zhao Weiping

机构地区：[1]上海音乐学院音乐学系,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2023年第2期6-13,M0003,共9页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2022年度国家社科基金艺术学重大项目“中国传统音乐古谱研究”阶段性成果,项目批准号:22ZD13。

摘　　要：公元8世纪前后,中国出现了多种器乐谱,这是解唐宋音乐的重要文献。但唐末之后,除古琴谱外,绝大部分器乐谱在中国失传,其中很多被日本遣唐使带到日本,并在日本得以传承。由10至13世纪日本抄写的唐代琵琶谱的谱字、拍子符号、速度记号及演奏法等文献可以发现,日本流传的乐谱经历了逐渐日本化的过程;10世纪以后,日本流传的中国唐代乐谱已多数日本化了,已不能代表中国唐代音乐。A variety of instrumental scores appeared in China around the 8th century,but after the end of the Tang Dynasty,most scores except those of guqin had disappeared.These disappeared tablatures were brought to Japan by Japanese envoys,passed on there and underwent a process of Japaneseization,as evidenced by the Chinese notation characters,beat symbols,speed marks,and playing methods of the Tang Dynasty pipa scores copied by Japan from the 10th to the 13th centuries AD.However,the Chinese Tang Dynasty music circulating in Japan after the 10th century AD has been Japaneseized,so it cannot fully represent China’s Tang Dynasty music.

关 键 词：唐谱 琵琶谱变迁 日本化乐谱 

分 类 号：J609.2[艺术—音乐]