视其细,知其大——朱践耳《第三交响曲》第二乐章分析笔记  

Seeing it in Detail,Knowing its Greatness-Notes Analyzing Zhu Jian’er’s Third Symphony(Second Movement only)

作　　者：彭志敏[1,2] Peng Zhimin

机构地区：[1]武汉音乐学院作曲系,武汉430060 [2]上海音乐学院

出　　处：《音乐艺术（上海音乐学院学报）》2023年第2期119-123,M0004,共6页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：朱践耳《第三交响曲》第二乐章具有标题性流动音型被中断、抒情性线性旋律被散珠、范型化曲式结构被线性处理的写作特点。虽只是一个局部性的个案,却能给人以“视其细,知其大”的审美体验,故可作为中国当代作曲家交响音乐创作及其个性化特征、时代化特点、中国化特性的范例。The second movement of Zhu Jian’er’s Third Symphony has the characteristics of the writing of the title flow pattern interrupted,the lyrical linear melody scattered,and the paradigmatic structure being processed linearly.Although it is only a partial case,it can give people the aesthetic experience of“seeing it in detail and knowing its greatness”.In that way it can be used as an example of contemporary Chinese composers’symphonic music creation and its individualized,epochal,and Chinese characteristics.

关 键 词：朱践耳 《第三交响曲》 《雅鲁藏布江》 音型 旋律 线性化 

分 类 号：J614.3[艺术—音乐]