《皇极声音文字通》文字排列探究  

A Further Interpretation About the Arrangements of the Chinese Characters in Huang Ji Sheng Yin Wen Zi Tong

作　　者：吴建伟[1] 谷秀梅 Wu Jianwei;Gu Xiumei(International Cultural Exchange School,Donghua University,Shanghai,200051,China;Beijing National Day School,100039,China)

机构地区：[1]东华大学国际文化交流学院,上海200051 [2]北京市十一学校,北京100039

出　　处：《中国文字研究》2023年第1期162-168,共7页The Study of Chinese Characters

基　　金：国家社科重大招标项目“明清民国珍稀时音韵书韵图整理集成与研究”(批准号:19ZDA308)之子课题“明清民国珍稀吴湘徽时音韵书韵图集成与研究”的阶段性成果。

摘　　要：作为一部明代的吴语韵书,《皇极声音文字通》完全袭用北宋邵雍的《声音唱和图》的框架,但二者在文字排列上却有一些不和谐、不一致之处,前贤对此多有诟病。本文指出这些不和谐、不一致之处反映出了明代吴语实际的语音状况,恰恰是《皇极声音文字通》的价值所在。As a rhyme book about Wu dialect in the Ming Dynasty,Huang Ji Sheng Yin Wen Zi Tong,which was written by Zhao Qian,followed the frame of Sheng Yin Chang He Tu entirely.But we can find that the arrangements of the Chinese characters aren't consistent with the arrangements in Sheng Yin Chang He Tu,which seems disharmonious.Many exports on Huang Ji Sheng Yin Wen Zi Tong criticize this disharmony.It is pointed out in the article that this disharmony reflects the actual speech sounds of Wu dialeet in the Ming Dynasty.This disharmony is very valuable.

关 键 词：皇极声音文字通 声音唱和图 吴方言 阴阳数理 

分 类 号：H121[语言文字—汉语]