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作 者:王金黄 Wang Jinhuang(College of Liberal Arts,Chongqing Normal University,Chongqing 401331,China)
出 处:《重庆师范大学学报(社会科学版)》2023年第4期105-112,共8页Journal of Chongqing Normal University(Edition of Social Sciences)
基 金:2016年度国家社会科学基金重大项目“中国新诗传播接受文献集成、研究及数据库建设(1917—1949)”(16ZDA240)。
摘 要:虽然同为五四小诗运动的主将,但梁宗岱与冰心、宗白华等人所接受的东方诗学渊源不同,他从中学起一直接受纯西式教育,浸淫欧洲文学多年,对于小诗的定位和创作自然而然地倾向于西欧诗学立场。自欧洲留学以来,他采用创译跨界的方式来应对小诗创作危机,获得海外文坛的热切回应与思想共鸣。与此同时,他积极探溯西欧诗学的源头,从契合求真的象征主义诗论中重新发现韵律的必要性,并提出和确认诗人宇宙意识的永恒推动力。最终,将小诗纯诗化的实践付诸于旧体小词的创作上,这不仅可以看出梁宗岱试图消泯诗体之中西、新旧、大小偏见与壁垒的努力,也为小诗乃至新诗的未来提供了一条由外观内、审度改造的内生增长模式。Although Liang Zongdai was also the main leader of Little Poetry Movement during the May Fourth Period,he was different from Bing Xin,Zong Baihua and others in the origin of oriental poetics.He had been receiving pure western education since middle school,immersed in European literature for many years,and naturally inclined to the position and creation of little poetry from western European poetics.Since studying in Europe,he has adopted a trans-boundary approach to deal with the crisis of little poetry creation,which has won the enthusiastic response and ideological resonance of overseas literary circles.Finally,the practice of the pure poetization of little poetry is applied to the creation of classical little poetry,which not only shows Liang Zongdai’s efforts to eliminate the prejudice and barriers between Chinese and Western,classical and modern,and long and little,but also provides an internal growth model for little poetry and even modern poetry in the future.
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