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作 者:高人雄 周兴阳 GAO Renxiong;ZHOU Xingyang(College of Humanities,Kashgar University,Kashgar Xinjiang 844000,China;不详)
出 处:《南都学坛(南阳师范学院人文社会科学学报)》2023年第5期37-44,共8页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
基 金:国家社会科学基金重大项目“全西域文整理与研究”,项目编号:17ZDA263。
摘 要:清代有一组集中描写西域天山的赋作,这组赋作,不仅体现了对天山地理形制的清晰认知,更赋予了天山人文精神的蕴意,展现了他们对天山独特的审美观照。翻检史籍可知,“天山”作为独立书写的主体对象,进入赋体文学创作领域始自清代,且清代天山才有了明确的名称和地域指向。清代天山赋最显著的书写特点是极尽铺张扬厉、虚实结合之能事,以恰当的夸张、形象的设比,铺排描述,全方位展现了具体生动的天山。更可贵是天山赋从不同审美视角观照天山,展现赋者热爱天山、颂赞统一、激扬壮志、抒发理想以及感慨悲怆人生等多种意蕴。清代西域天山赋的书写,是清代天山认识成熟下的文学创作,同时亦表达了对国家大一统的认同,也从文学角度呈现出了一个生动具体的天山。清代赋家对天山形象的认识及其赋予的独特天山意蕴,值得再次去发现和探索。In the Qing Dynasty,there was a set of Fu(赋),a Chinese literary form combining elements of poetry and prose,whose thematic focus was on Tianshan Mountains in the western regions of the Qing Empire.This set of Fu not only reflected a clear understanding of the geographical features and topography of the Tianshan Mountains,but also endowed the Tianshan Mountains with profound humanistic spirit,showing the authors’unique aesthetic observation of the Tianshan Mountains.A review of historical records shows that“Tianshan Mountains”,as the subject of independent writing,entered the field of Fu literature creation as of the Qing Dynasty,and since then Tianshan Mountains have had its clear name and regional orientation.The most notable feature of the writing of Tianshan Fu(天山赋)in the Qing Dynasty is that it presented a panoramic view of the concrete and vivid Tianshan Mountains by way of proper exaggeration,graphic comparison,and detailed description.What’s more,Tianshan Fu(天山赋)viewed the Tianshan Mountains from different aesthetic perspectives,showing the authors’love for the Tianshan Mountains,praising unity,expressing ambition,expressing ideal,and feeling sorrow for life.The writing of Tianshan Fu(天山赋)in the Western Regions in the Qing Dynasty is a literary creation based on mature understandings of Tianshan Mountains of literati in the Qing Dynasty.It also expresses the recognition of the unity of the country and presents a vivid and specific“Tianshan”from the perspective of literature.The knowledge of the image of Tianshan Mountains and the unique connotation of Tianshan Mountains depicted by Fu writers in the Qing Dynasty are worth rediscovering and reexploring.
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