凌廷堪的词乐理论研究成就及其词学史意义  

Ling Tingkan’s Achievements in the Study of Lyric Music Theory and Its Significance in the History of Ci Poetry

作　　者：刘少坤[1] 郭雅楠 LIU Shaokun;GUO Yanan(School of Literature,Hebei University,Baoding Hebei 071000,China;不详)

机构地区：[1]河北大学文学院,河北保定071000

出　　处：《南阳师范学院学报》2023年第5期28-32,共5页Journal of Nanyang Normal University

基　　金：国家社会科学基金项目“民国词律批评理论研究”,项目编号:21ZBW109。

摘　　要：凌廷堪《燕乐考原》在方成培《香研居词麈》的基础上更进一步,开系统研究燕乐体系之先河。凌廷堪确定了燕乐中“角调”的调值,真正解决了燕乐乐理的最大难题,并详细考订了许多词调的宫调隶属问题,推动燕乐研究成为一门专门学问,功德无量。Ling Tingkan’s Yan Music Kao Yuan goes a step further on the basis of Fang Chengpei’s Xiang Yanju Ci Zhu,pioneering the way for a systematic study of the Yan music system.Ling Tingkan determined the key value of the“horn tune”in Yan music,which really solved the biggest problem of Yan music theory.Meanwhile,he examined in detail the subordination of many words and tones to the palace tune,promoting the study of Yan music into a special study,which is of immense merit.

关 键 词：凌廷堪 词乐理论 朴学 宫调 角调 

分 类 号：I207.23[文学—中国文学]