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作 者:伊文臣 曹飞[3] YI Wen-chen;CAO Fei(School of Drama and Film and Television,Shanxi Normal University,Taiyuan 030031,China;Communication University of Shanxi,School of Journalism and Communication,Jinzhong 030619,China;Shanxi Normal University,School of Communication,Taiyuan 030031,China)
机构地区:[1]山西师范大学戏剧与影视学院,山西太原030031 [2]山西传媒学院新闻传播学院,山西晋中030619 [3]山西师范大学传媒学院,山西太原030031
出 处:《编辑之友》2023年第9期66-70,77,共6页Editorial Friend
基 金:山西省哲学社会科学专项课题“山西纪录片品牌化与高质量发展策略研究”(2022YD162)。
摘 要:地域文化纪录片是中国纪录片的一种重要类型。在全球化视野和互联网背景下,共同体叙事有助于地域文化纪录片在更广阔范围中形成共情、共鸣、共振。这一思路的逻辑基础既在于对影视艺术创作与传播规律的尊重,也在于对地域文化特点的准确把握。地域文化兼具个性与共性、历史性与现实性、民族性与世界性,以此思路为指导,地域文化纪录片可通过微观视角与宏大视野相结合、立体空间与流动时间相结合、他者讲述与跨地合作相结合等具体路径实现共同体叙事。Regional culture documentary is an important type of Chinese documentary.In the context of globalization and the Internet,community narrative contributes to regional cultural documentaries to form empathy,resonance and consonance in a broader scope.The logical basis of this idea lies not only in the respect for the law of film and television art creation and communication,but also in the accurate grasp of the regional cultural characteristics.Regional culture features the coexistence of individuality and collectivity,history and reality,as well as national character and world character.Guided by this idea,regional cultural documentaries can realize community narrative through specific paths such as the combination of micro perspective and grand vision,the combination of three-dimensional space and time flow,and the combination of other's narrative and cross-regional cooperation.
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