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作 者:叶征冰 慕晓东 YE Zhengbing;MU Xiaodong
机构地区:[1]清华大学建筑学院建筑系,北京100084 [2]清华大学建筑学院景观学系,北京100084
出 处:《中国园林》2023年第8期78-82,共5页Chinese Landscape Architecture
摘 要:以伯纳德·拉索斯设计的拉·维莱特公园方案为例,借助梅洛-庞蒂的现象学理论,对拉索斯的设计思想展开深度分析。首先,讨论了拉索斯在工具技术的度量与完全野性的不可度量之间寻找的第三种形式,并且阐明在拉索斯看来景观设计应以身体为度量方式,以及“存在”是不可度量的对象。其次,通过解释梅洛-庞蒂理论中“绵延”的时间概念体现了“存在”的垂直特征,揭示拉索斯为何从垂直维度来进行设计。最后,指出拉索斯营造“沉默”的声音是为了让人们在前反思的体验中关注生活世界。围绕拉索斯的一个重要案例,分析拉索斯从不可度量、垂直与沉默来进行设计的现象学路径,阐释其思想根源,也为将现象学运用到设计中提供借鉴。This paper focuses on the Parc de la Villette designed by Bernard Lassus,and makes an in-depth analysis of Lassus'design method with the help of Maurice Merleau-Ponty's phenomenological theory.Firstly,this paper discusses Lassus'thinking of finding a third form between the measurement of tool technology and the immeasurable wildness,and clarifies that in Lassus'view,landscape architecture design should be measured by the body,and"being"is an unmeasurable object.Then,by explaining that the time concept of"duration"in Merleau-Ponty's theory reflects the vertical characteristics of"being",it reveals why Lassus designs from the vertical dimension.Finally,it points out that Lassus constructs the sound of"silence"to arouse people's attention to the life world in the prereflective experience.Based on an important case of Lassus,this paper analyzes the phenomenological path of Lassus'design from the concept of"immeasurable,vertical and silent",expounds its ideological root,and provides reference for applying phenomenology to design.
分 类 号:TU986[建筑科学—城市规划与设计]
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