身体政治与符号载体:日本导演押井守动画电影中的女性身体研究  

Body Politics and Symbol Carrier:A Study on the Female Body in Japanese Director Mamoru Oshii's Animated Films

作　　者：余志为[1] 王聪 YU Zhiwei;WANG Cong(Meishi Film Academy of Chongqing University,Chongqing 400044,China)

机构地区：[1]重庆大学美视电影学院,重庆400044

出　　处：《贵州大学学报（艺术版）》2023年第5期42-51,共10页Journal of Guizhou University Art Edition

摘　　要：作为日本极具个人风格的“作者型”导演,押井守的动画电影呈现了独特的女性身体。女性身体不仅作为押井守动画电影中极为重要的符号载体被展示和指认,同时也始终处在父权律法的管辖和宰制之中。符号化的女性身体成为父权话语实践的另类伪装,从而使得电影中的女性们难以真正逃离父权。As a Japanese"author-type"director with a very personal style,Mamoru Oshii's animation films present a unique female body.The female body is not only displayed and identified as a very important symbolic carrier in Oshii's animation films,but also always in the dominion and dominion of patriarchal law.The symbolic female body becomes an alternative disguise for the practice of patriarchal discourse,which makes it difficult for the women in the film to truly escape from the patriarchy.

关 键 词：押井守 动画电影 女性主义 身体 身体政治 

分 类 号：J905[艺术—电影电视艺术]