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作 者:史明立 Shi Mingli(Nanyue King Museum,Guangzhou,510030)
机构地区:[1]南越王博物院,广州510030
出 处:《博物院》2023年第3期63-69,共7页Museum
摘 要:博物馆比较展是通过比较的方式,呈现多个对象的特点及相互关系的一类展览。但当前一些展览对比较手法的运用主要停留在呈现异同的层面,未充分发挥出比较的价值。明确比较展的内涵和存在问题,并将比较史学的理论成果引入此类展览的策展理论与实务中,可以厘清其中未被言明的策展逻辑。合理选取比较的对象,明确界定比较的规模与内容,客观对待比较对象的同与异,不但有益于展览理论的深入及比较有效性的提升,而且可以使比较展摆脱描述的局限,更好地呈现解释,从而引导观众形成一个完整的思维过程。Museum comparative exhibitions are exhibitions that present the characteristics and interrelationships of multiple objects by the way of comparison.However,the current use of comparison in some exhibitions is mainly at the level of presenting similarities and differences,and the value of comparison has not been fully utilized.By clarifying the connotation and problems of comparative exhibitions and introducing the theory of comparative history into the curatorial theory and practice,the unspoken curatorial logic can be clarified.Moreover,by reasonably selecting the objects of comparison,determining the scale and content of comparison,and objectively treating the similarities and differences of the objects,it is not only beneficial to the depth of exhibition theory and the enhancement of the effectiveness of comparison,but also enables comparative exhibitions get rid of the limitation of description and better present explanation,thus guiding the audience to form a complete thinking process.
分 类 号:G265[历史地理—考古学及博物馆学]
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