明成化三彩鸭形香熏炉的工艺研究  

Study on the Technology of one Tricolor Duck-shaped Incense Burner in Chenghua Period of Ming Dynasty

作　　者：杨玉洁 段鸿莺[1] 翁彦俊 Yang Yujie;Duan Hongying;Weng Yanjun(The Palace Museum,Beijing,100009;Jingdezhen Imperial Kiln Institute,Jingdezhen,333099)

机构地区：[1]故宫博物院,北京100009 [2]景德镇御窑博物院,景德镇333099

出　　处：《博物院》2023年第3期102-108,共7页Museum

摘　　要：明成化三彩鸭形香熏炉在景德镇明清官窑遗址成化地层出土,但明清宫廷文献及藏品中均未有相对应的记录或收藏。针对该文物的历史、工艺及功用信息进行考证并结合科技检测分析后发现,该文物在装饰上实际为釉下彩、釉上彩、低温铅釉相结合,并非单纯三彩工艺,成型综合了捏塑、印坯、板镶、镂空、雕刻等工艺,相较同时期其他产品,是具有特殊性和试验性的创新作品。并推测该器物之所以生产后未能进入宫廷使用与其自身进气口设计缺陷存在一定关系,从功能的视角解释了该类作品未能进入宫廷使用的原因。The tricolor duck-shaped incense burner was unearthed from Chenghua formation of Jingdezhen imperial kiln site,but there is no corresponding record or collection in court documents and collections.Based on the historical,technological and functional information of the cultural relic,and combined with scientific testing and analysis,it was found that the decoration of this relic was actually a combination of underglaze color,overglaze color and low temperature lead glaze.It was not a simple tricolor process.The molding integrated kneading,printing,plate inlaying,hollowing,carving and other processes.Compared with other products in the same period,it was a special and experimental innovative work.It is speculated that the reason why the artifact could not be used in the court after production may be related to the design defect.

关 键 词：明代 三彩鸭形熏炉 技术与功能 

分 类 号：J527[艺术—艺术设计] K876.3[历史地理—考古学及博物馆学] K248.2[历史地理—历史学]