“边境三部曲”中的空间异质性书写与帝国意识形态解构  

Spatial Heterogeneity and the Deconstruction of Imperial Ideology:On Cormac McCarthy’s Border Trilogy

作　　者：刘久明[1] 朱斐斐 Liu Jiuming;Zhu Feifei(College of Humanities,Huazhong University of Science and Technology,Wuhan,China,430074;The School of Foreign Languages,Wuhan University of Technology,Wuhan,China,430070)

机构地区：[1]华中科技大学人文学院 [2]武汉理工大学外国语学院

出　　处：《当代外国文学》2023年第3期5-11,共7页Contemporary Foreign Literature

摘　　要：麦卡锡“边境三部曲”颠覆了美国文学传统中对西部空间的想象。那里不再是帝国意识形态可以征服的区域,而是充满抵抗性和难以整合的空间。将“边境三部曲”中的空间叙事放在他者文化的语境下加以解读,我们发现作者通过叙述牛仔失败的征服之旅,解构了帝国意识形态对空间的想象,建构了异质的物理空间、社会空间和心理空间。其叙事的表层似与西部神话形成共谋,实则批判了意识形态霸权,彰显了他者的不可化约性,从而唤起了读者对他者、他者空间及他异性的敬畏。Cormac McCarthy’s Border Trilogy subverts the imagination of Western space in the American literary tradition.It is no longer an area that imperial ideology can conquer,but a space full of resistance that is difficult to integrate.By interpreting the space narrative in the context of the Other culture,this article argues that McCarthy has deconstructed the imagination about space in the imperial ideology and constructed heterogeneous physical space,social space and psychological space.The surface of its narrative seems to conspire with the myth of American West,but in fact,it criticizes ideological hegemony and reveals the invisibility of the Other,arousing readers’awe for other people and other space.

关 键 词：科马克·麦卡锡 “边境三部曲” 空间异质性 帝国意识形态 

分 类 号：I712.074[文学—其他各国文学]