否定主义美学视域下《何以为我》中的亚裔文化共同体书写  

Writing about the Asian American Cultural Community in Big Little Man:In Search of My Asian Self:A Negativist Aesthetics Approach

作　　者：苗福光[1] 许婧 Miao Fuguang;Xu Jing(School of Foreign Languages,Shanghai University,Shanghai,China,200444)

机构地区：[1]上海大学外国语学院

出　　处：《当代外国文学》2023年第3期19-26,共8页Contemporary Foreign Literature

基　　金：上海大学项目“自然文学与生态文学整合研究”(D.77-0103-00-004)的阶段性成果。

摘　　要：菲裔美国作家阿列克斯·提臧在其非虚构小说《何以为我》中描写了亚裔群体在以白人为主导的美国社会中所共同遭遇的种族歧视,作者对亚裔所遭受的歧视性文化建构的否定正体现出“本体性否定”的美学特征。通过对亚裔历史文化的追溯以及由此产生的文化自信,提臧提出了建立亚裔文化共同体的创造性构想。这部作品的创作也成了他在“否定—创造”的否定主义美学上的文化实践。Filipino-American writer Alex Tizon depicts discriminations encountered by Asian Americans in white-dominated American society in his memoir Big Little Man:In Search of My Asian Self.The author’s negation of the discriminatory cultural construction suffered by Asian Americans manifests the aesthetic characteristic of“ontological negation.”By tracing the history and culture of Asian Americans and the resulting cultural confdence,Tizon proposes a creative means of establishing an Asian American cultural community.The creation of the novel becomes his cultural practice in negativist aesthetics with“negation-creation.”

关 键 词：阿列克斯·提臧 《何以为我》 否定主义美学 亚裔文化共同体 

分 类 号：I712.074[文学—其他各国文学]