宋代新兴词调名的文化内涵与审美意韵  

A Study of the Cultural Connotations and Aesthetic Implications of the Emerging Ci Tune Names of the Song Dynasty

作　　者：姚逸超 Yao Yichao(School of Humanities,Hangzhou City University,Hangzhou 310015,China)

机构地区：[1]浙大城市学院人文学院,浙江杭州310015

出　　处：《浙江大学学报（人文社会科学版）》2023年第7期109-124,共16页Journal of Zhejiang University:Humanities and Social Sciences

基　　金：2019年度教育部人文社会科学研究青年项目(19YJC751062);2022年度国家社科基金后期资助项目(22FZWB025)。

摘　　要：宋词是宋人表现社会生活、情感空间与心灵世界的重要载体。词调名作为词的重要表征,蕴含着丰富的文化内涵与审美意韵。宋代新兴词调名的制名特点、事类分布、审美意韵反映了宋代社会生活的诸多面向,折射出士人独特的审美取向与精神追求。调名的雅化与新拟也展现了宋词从歌艺小道到情志载体的定位变迁,透露出宋人词体观念的演变。Song Ci(a new form of poetry in the Tang and Song Dynasties that was sung with accompaniment),a distinct genre of Chinese literature,acts as a crucial conduit reflecting the social,emotional,and spiritual dimensions of the people of that time.As a prominent attribute of Ci,the names of its tunes carry cultural substance and aesthetic implications.The naming norms,thematic distribution,and aesthetic inclination of the emerging tune encompass an array of societal aspects,effectively mirroring unique aesthetic ideologies and spiritual pursuits embodied by the literati of that era.The refinement and re-imagining of tune names notably underscore the evolution of the Ci from a marginal performing art to a powerful vehicle of emotional expression and personal aspiration.Continuing the phonetic structure of the Tang and Five Dynasties,the new tune names created during both the Northern and Southern Song Dynasties prominently feature a concise,rhythmically varied three-syllable form.Beyond this structure,at various junctures in the evolution of the Ci genre,tune names exhibit distinct phonetic characteristics and innovative naming strategies.Starting from the early Northern Song Dynasty,there was a widespread practice of incorporating musical terms into tune names,thereby increasing the syllable count—a trend that persisted through the middle and late periods of the Northern Song Dynasty and well into the Southern Song Dynasty.In the middle and later periods of the Northern Song Dynasty,as Song Ci became more refined,the creation of longer tune names out of the construction of poetic settings gradually increased.By the time of the Southern Song Dynasty,this practice of creating longer tune names had become the mainstream method of naming.According to the original implications of the tune names,they can be classified broadly into nature-related and human affairs-related.By investigating the distribution of these tunes over distinct historical periods,one can gain profound insights into the societal realities and cultural

关 键 词：宋词 调名 制名特点 事类分布 文化内涵 审美意韵 

分 类 号：I207.23[文学—中国文学] K244[历史地理—历史学]