晚清至五四时期外源性汉语叙事符号的建构  

The Construction of Exogenous Chinese Narrative Symbols from the Late Qing Dynasty to May Fourth Period

作　　者：杨理沛[1] YANG Li pei

机构地区：[1]华中师范大学国际文化交流学院,湖北武汉430079

出　　处：《学习与实践》2023年第9期126-134,共9页Study and Practice

摘　　要：晚清至五四时期纷繁芜杂的时代影像折射出历史转型中的潜层巨变。该时期知识分子在面对外源文化时,已不再满足于简单的线性说明,他们因政治规约、传统赓续及家族疏离等三重维度统摄下的身份暗示与体验认同的差异,建构出多元化的外源性汉语叙事符号。这种特殊的文学书写使知识分子的外源性言说原点在异域与本土之间位移,而贯穿其中的主线始终是实现民族复兴及中国式现代化的愿景诉求。The complex and diverse images of the late Qing Dynasty to the May Fourth Period reflected the hidden and profound changes in historical transformation.During this period,intellectuals were no longer satisfied with simple linear explanations when facing external cultures.Because of differences in identity and experience of the triple dimensions of political conventions,traditional continuity and family transcendence,they constructed diverse exogenous Chinese narrative symbols.The origin of intellectuals'exogenous dis⁃course was converted by the special literary writing between foreign land and metropolitan territory.However,the main line running through it has always been the vision of national rejuvenation and Chinese path to modernization.

关 键 词：晚清 五四时期 知识分子 外源文化 叙事符号 

分 类 号：I209[文学—中国文学]