越空塑写:1949年以来中国纪念碑雕塑的海外传播  

Overseas Spread of Chinese Monumental Sculptures since 1949

作　　者：张雯 邹锋[2] Zhang Wen;Zou Feng(the Department of Media and Art Theory,College of Art and Design,Beijing University of Technology;the College of Art and Design,Beijing University of Technology)

机构地区：[1]北京工业大学艺术设计学院传媒与艺术理论系 [2]北京工业大学艺术设计学院

出　　处：《美术》2023年第9期22-31,共10页Art Magazine

摘　　要：中华人民共和国成立以来海外传播的纪念碑雕塑,是特定历史时期传达国家精神理念的重要载体,它集国家政治观念符号、艺术形式于一身,以国际视野再现伟大历史事件,显示国家和民族崇高的纪念理想,并以此为基础不断加强对外文化交流与合作,在政治、文化、国家形象塑造方面具有重要意义。一方面,纪念碑雕塑的海外传播受国家外交政策、对外文化战略以及国内外经济、政治、艺术等各种因素的影响;另一方面,其自身的发展逻辑和本质核心又具有相对独立性和自主性。关注1949年以来纪念碑雕塑的海外传播,有助于探索在特定语境下,它所承载的由历史、国家、公众与舆论所形成的政治、艺术、文化意象。Monumental sculptures that spread overseas since the founding of the People’s Republic of China in 1949 help demonstrate the country’s vision in a specific historical period.Conveying political ideals through artistic forms,these sculptures showcase great historical events with an international vision to demonstrate lofty ideals of China and the Chinese nation and constantly strengthen cultural exchanges and cooperation with other countries,which is of great significance in politics and culture and in building national image.On one hand,the overseas spread of monumental sculptures is influenced by foreign policies and cultural strategies,as well as economic,political and artistic factors at home and abroad;on the other hand,the development logic and essence of these sculptures are relatively independent.Studying the overseas spread of monumental sculptures since 1949 is conducive to exploring the political,artistic and cultural images that they have created under the influence of history,countries,people,and public opinion in a specific environment.

关 键 词：纪念碑雕塑 海外传播 中外美术交流 

分 类 号：J305[艺术—美术] K27[历史地理—历史学]