致敬延安不说再见——从“首届延安木刻版画双年展”谈起  

Pay Tribute to Yan’an and Never Say Goodbye:on the“First Yan’an Woodcut Biennale”

作　　者：代大权[1] Dai Daquan(the Print Art Committee,China Artists Association)

机构地区：[1]中国美术家协会版画艺委会

出　　处：《美术》2023年第9期32-43,F0002,2,共14页Art Magazine

摘　　要：“首届延安木刻版画双年展”让版画在今天的发展得以集中展示,版画的学术品质得以整体呈现。因延安文艺座谈会成就了版画发展,今天从发展之果复盘延安精神之因,目的与手段,结果或过程,是厘清事物的先决条件。随着国家的发展、文艺的繁荣,艺术创作作为文化强国的形象介质和精神载体,落实于“首届延安木刻版画双年展”的精神主旨必须是延安精神,历史上延安精神引导着进步的文艺工作者走向中华人民共和国,今天的艺术创作仍离不开延安精神,尤其在艺术为什么人的辨识中,延安精神都一直是最明确的方向和路径,“首届延安木刻版画双年展”的目的即是肯定方向与路经。The“First Yan’an Woodcut Biennale”displays today’s development and academic nature of print.As the Talks at the Yan’an Forum on Literature and Art in 1942 laid a foundation for print,it is necessary to examine the origin,purpose and means,and result and process of Yan’an spirit on the basis of the gains of print development.With the development of the country and the prosperity of literature and art,artistic creation has become a way of building up China’s cultural strength,which determines that the theme of the“First Yan’an Woodcut Biennale”must be Yan’an spirit.In the past,Yan’an spirit led progressive artists to make their contributions to establishing the People’s Republic of China;today,artistic creation is still guided by Yan’an spirit,which has always set the clearest course for identifying whom the art is for.The purpose of holding the“First Yan’an Woodcut Biennale”should be to support this course.

关 键 词：首届延安木刻版画双年展 延安精神 鲁迅艺术学院 延安文艺座谈会 

分 类 号：J217[艺术—美术]