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作 者:王威 Wang Wei(College of Art,Lanzhou University)
机构地区:[1]兰州大学艺术学院
出 处:《美术》2023年第8期50-53,共4页Art Magazine
摘 要:西方油画进入中国百余年间,经历数次文化思想碰撞和蜕变。老一辈艺术家漂洋过海,为我们从西方国家带回新思想、新观念,并努力向多元化方向发展。受到本土文化的影响与制约,油画创作者往往借鉴中国传统绘画的审美元素,作品具有独特的东方韵律,大大丰富了风景油画的内容与形式。文章结合笔者在俄罗斯十多年学习的亲身经历,以及回国后创作思想上的转变,浅析对油画本土化问题的探索与思考。After being introduced to China more than 100 years ago,western oil painting has experienced several cultural and idea collisions and transformations.The older generation of artists who studied abroad brought back new ideas and concepts from western countries,and strove to make them more diversified.Influenced and restricted by local culture,oil painting creators often draw on aesthetic elements of traditional Chinese painting,giving their artworks unique oriental features and enriching the content and form of landscape oil paintings.The paper explores and thinks about oil painting localization on the basis of the author’s personal experience of studying in Russia for more than ten years and his change of thoughts after returning to China.
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