超越地缘的“地方”——温悲鸥的生平与创作  

“Places”beyond Geography:Life and Creation of Wen Beiou

作　　者：陆思培 黄岑艳 Lu Sipei;Huang Cenyan(New Art Museum Research Center,Guangzhou Academy of Fine Arts;School of Archeology,Jilin University)

机构地区：[1]广州美术学院新美术馆学研究中心 [2]吉林大学考古学院

出　　处：《美术》2023年第8期89-97,共9页Art Magazine

摘　　要：跨界流动者往往被边缘化,甚至由于时局变动或其他因素而成为“失踪者”。温悲鸥一生流寓各处,对印度尼西亚的山麓与滩涂、中原大地上的黄土高坡、与自然乡土相伴相生的劳动者进行描绘。本文聚焦印尼华人艺术家温悲鸥的人生旅程,解读其璀璨的艺术作品背后的隐喻与哲思,以及时代变革中的个体如何面对文化身份上的觉醒、困顿与挣扎,并思考跨界流动与其中超越地缘、血脉、时代的人道主义精神与国际主义理想。People who move to different countries are often marginalized,and even become“missing persons”due to change of situations or other factors.Wen Beiou,living in various places throughout his life,depicted foothills and tidal flats in Indonesia,loess pleataus and workers in countryside.This paper,with the entire life of the Indonesian Chinese artist Wen Beiou as its core,interprets metaphors and philosophical thinking behind his brilliant artworks,and his way of dealing with the realization of cultural identity and difficulties and struggles in this process in a changing era,and thinks about moving to different countries and involved humanitarian spirits and internationalist ideals that transcend geography,blood and the times.

关 键 词：左翼美术 海外华人 国际主义 印尼华人美术协会 社会介入 

分 类 号：J205[艺术—美术] K825.72[历史地理—历史学]