异质与差序:宋摹本萧绎《职贡图》中的使节形象  

Difference and Dominance:Envoy Images in the Song-Dynasty Copy of the Portraits of Periodical Offering by Xiao Yi

作　　者：叶原[1] 高丽 Ye Yuan;Gao Li(School of Fine Arts,Southwest University)

机构地区：[1]西南大学美术学院

出　　处：《美术》2023年第8期106-113,共8页Art Magazine

摘　　要：葛兆光等学者指出,历代《职贡图》以凸显周边诸国文化风俗相对于华夏社会的异质性为一重要宗旨。作为较忠实原版者,宋摹本萧绎《职贡图》以小袖袍、袒服分别作为刻画“西北诸戎”“海南诸国”使节形象的模板,又以《三国志·魏书·倭传》中倭人服饰为刻画倭国使节形象的模板,这的确贯彻并凸显了这一宗旨。尽管如此,个别使节形象在模版之外多增饰贵族礼仪性服饰,百济使更是被破例刻画为着华夏冠服的形象,显示出萧绎心目中百济文化风俗的华夏化。由此可见,在凸显周边诸国文化风俗的异质性外,萧绎《职贡图》中的使节形象还担负着彰显、划分诸国文化风俗间差序的功能。但无论是凸显异质性,还是划分差序性,萧绎通过图像绘制最终的着眼点都在于建构梁朝的“天下”秩序。Ge Zhaoguang and other scholars point out that Portraits of Periodical Offering in ancient China are mainly aimed at demonstrating the difference of culture and customs between China and its neighboring countries.Remaining committed to this purpose,the Song-Dynasty faithful copy of the Portraits of Periodical Offering created by Xiao Yi during the Liang Dynasty depicts envoys from countries in the northwest and the south as wearing small-sleeved costumes and smocks respectively,and those from the Wo country as wearing Wo clothes according to the Book of Wei,part of the Records of the Three Kingdoms written by Chen Shou.Nevertheless,images of some envoys are often decorated with aristocratic costumes,and Baekje envoys are an exception to be portrayed with Chinese costumes,which shows that Xiao Yi believed culture and customs in Baekje were greatly influenced by China.Therefore,while demonstrating differences in cultures and customs of various countries,envoys in Xiao Yi’s Portraits of Periodical Offering showcases the dominance of these cultures and customs.However,whether to highlight difference or dominance,Xiao Yi was aimed at establishing a“world”order of the Liang Dynasty through these paintings.

关 键 词：萧绎 职贡图 使节形象 民族服饰 

分 类 号：K244[历史地理—历史学] J212[历史地理—中国史]