孙隆花鸟画艺术的独创性  

The Originality of Flower-and-Bird Paintings by Sun Long

作　　者：何专连[1] He Zhuanlian(College of Arts,Xiamen University)

机构地区：[1]厦门大学艺术学院

出　　处：《美术》2023年第8期114-119,105,共7页Art Magazine

摘　　要：孙隆的花鸟画创作在继承宋人没骨法的基础上,注入“以书入画”的写意元素,融没骨与写意技法为一体,兼容并蓄而自成一家。孙隆将没骨与写意两个流派融为一脉,从而开写意没骨花鸟之先河,推动了明清花鸟画的转向与发展。文章结合相关文献资料和画作,梳理孙隆给花鸟画发展和繁荣所带来的历史性贡献,并对其背后深层原因包括文化背景、社会环境、个人出身、性格禀赋、审美理想和艺术追求等因素,进行深入剖析,旨在为当今花鸟画创作与教学提供借鉴。While carrying forward boneless techniques of the Song Dynasty,Sun Long of the Ming Dynasty added freehand elements of calligraphy to flower-and-bird paintings,integrating boneless and freehand techniques and thus developing his own style.As a pioneer of freehand,boneless flower-and-bird paintings,Sun has changed and advanced the development of flowerand-bird paintings in the Ming and Qing Dynasties.Based on relevant documents and paintings,this paper sorts out historical contributions Sun Long has made to the development and prosperity of flower-and-bird paintings,and conducts an in-depth analysis of underlying reasons,including cultural background,social environment,Sun’s character,experience and talent,and his artistic ideals and pursuits,in the hope to provide reference for today’s flower-and-bird painting creation and teaching.

关 键 词：孙隆 写意花鸟画 没骨画 以书入画 

分 类 号：J212[艺术—美术]