敦煌出雕版墨印填色版画刍议  

A Preliminary Study on the Color Block Prints Found at Dunhuang

作　　者：马德[1,2] 胡发强 MA De HU;Faqiang(Dunhuang Academy,Lanzhou 730030,Gansu;Lanzhou University,Lanzhou 730020,Gansu;Suzhou Arts and Crafts Vocational Technical College,Suzhou 215104,Jiangsu)

机构地区：[1]敦煌研究院,甘肃兰州730000 [2]兰州大学敦煌学研究所,甘肃兰州730020 [3]苏州工艺美术职业技术学院,江苏苏州215104

出　　处：《敦煌研究》2023年第4期156-169,共14页Dunhuang Research

摘　　要：敦煌莫高窟藏经洞出土的美术品中有一定数量的雕版印画,其中的几幅墨印填色者,以独存的填色《大悲救苦观音菩萨》色彩最为丰富和完整。敦煌填色版画是中国套色版画的先声,也是影响日本浮世绘的中国版画艺术渊源,在世界美术史上具有重要的意义和作用。The fine art work found in the Library Cave at the Dunhuang Mogao Grottoes include a number of block prints,several of which were first printed in ink and then filled in with different colors.Among these works,a lone-standing depiction of the Great-Mercy Avalokitesvara Bodhisattva is the most colorful and complete.The color-filling process used to create these prints appears to be a precursor to the practice of color printing that later became widespread in China,and also the source of Chinese print art that influenced the Yamato-e paintings in Japan.The techniques used and the early historical dates of these prints is therefore of great significance for the history of world art.

关 键 词：敦煌观音版画 填色美术 明清版画 浮世绘 

分 类 号：K879.4[历史地理—考古学及博物馆学]