空间叙事下的20世纪台湾女性家园书写  

Women’s Homeland Writing in Twentieth-Century Taiwan in Spatial Narrative

作　　者：钱子涵 张可伊 Qian Zihan;Zhang Keyi(School of Chinese Language and Literature,Suzhou University,Suzhou 510632)

机构地区：[1]苏州大学文学院,苏州510632

出　　处：《西部学刊》2023年第18期169-172,共4页Journal of Western

基　　金：2021年江苏省苏州大学大学生创新创业训练计划项目(国家级)“边界望月:台湾女性文学中的家园情结探析”(编号:202110285005Z)的研究成果。

摘　　要：中国台湾女性文学是中国台湾文学不可分割的重要组成部分,受政治、历史、结构以及性别等因素的影响,其离散漂泊的命运与生俱来。借助列斐伏尔空间叙事学的理论,从三类空间探究20世纪中国台湾女性作家作品中流动的空间:(一)物理空间:故乡的还原与建构;(二)心理空间:记忆、想象与流动的意识;(三)社会空间:性别、家庭与国族。三类空间互相映衬变化,呈现出女性在空间中寻找自我的过程和对家国思索中的家园情怀与文化乡愁。中国台湾女性文学有一种独特的区域面貌。Taiwan Residents women’s literature is an integral part of the literature in Taiwan,which is born with the fate of dispersal and wandering,influenced by factors such as politics,history,structure,gender and so on.Based on Lefebvre’s theory of spatial narrative,this paper explores the flow of space in the works of Taiwan Residents women writers in the 20th century from three kinds of spaces:(1)physical space:the restoration and construction of hometown;(2)mental space:memory,imagination and flowing consciousness;(3)social space:gender,family and ethnicity.These three types of spaces differ but complement one another and present the process of women’s searching for themselves in space as well as their homesickness and cultural nostalgia in their contemplation of their homeland.Taiwan Residents women’s literature has a unique regional feature.

关 键 词：中国台湾女性文学 家园书写 空间叙事 

分 类 号：I206.7[文学—中国文学]