宋代丝织品中缠枝牡丹纹造型审美研究  

Aesthetic Study on the Modeling of Tangled Peony Pattern in Silk Fabrics of Song Dynasty

作　　者：王辉 刘淑丽[1] Wang Hui;Liu Shuli(Henan Institute of Science and Technology,Xinxiang 453000,China)

机构地区：[1]河南科技学院,河南新乡453000

出　　处：《山东纺织科技》2023年第4期43-46,共4页Shandong Textile Science & Technology

基　　金：国家社科基金(18BG112)。

摘　　要：文章基于美学阐释视角,通过对相关文献、图像资料归纳与整理,从题材、构图形式等方面分析宋代丝织品中缠枝牡丹纹的艺术审美表征,探讨纹样背后蕴含的文化因子。研究表明,宋代丝织品中缠枝牡丹纹题材丰富多样、构图形式流畅生动,充分展现了宋代文化对审美意识的影响。From the perspective of aesthetic interpretation,through summarizing and sorting out relevant documents and images,the artistic aesthetic representation of the intertwined peony patterns in the silk fabrics of the Song Dynasty was analyzed from the aspects of theme,composition form,etc.,and the cultural factors behind the patterns was discussed.As shown by the research,the motifs of tangled peony patterns in the silk fabrics of the Song Dynasty are rich and diverse,and the composition forms are smooth and vivid.These artistic features fully demonstrate the influence of the culture of the Song Dynasty on aesthetic consciousness.

关 键 词：宋代丝织品 缠枝牡丹纹 审美表征 宋代文化 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程]