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作 者:高山[1] GAO Shan(School of Literature,Huaiyin Normal University,Huai'an,Jiangsu 223300)
出 处:《淮阴师范学院学报(哲学社会科学版)》2023年第5期511-517,540,共8页Journal of Huaiyin Teachers College(Social Sciences Edition)
摘 要:赵本夫的小说创作从一开始就有一种近似人类学的民间民俗视野。到20世纪80年代末,其小说创作中有更为自觉的人类学倾向。长篇系列小说《地母》三部曲最能体现这种文学人类学创作方法与理念,也显示出小说家对中国社会现代性进程的反思。这种努力使其小说艺术呈现出与众不同的特征,这种特征至今并未被比较深入完整地认识清楚。《地母》三部曲的文学人类学特征可以简要概括为混沌世界和混沌叙事两个联系紧密的层面。从文学人类学视角探究赵本夫小说创作的艺术特征和文学史意义,能够得出一些有价值的结论。From the beginning,there is an approximate anthropology folk vision in Zhao Benfu's novels.There has being more Conscious anthropological tendency in his works by the end of the 80's.Trilogy of The Earth Mother can embody the creative method and idea of literary anthropology best,which also show that the novelist has a reflection on Chinese social modern process.There is distinguishing artistic characteristic in these novels because of the author's effort,but this characteristic has not been a thorough understanding so far.The literary anthropology characteristic in trilogy of The Earth Mother can be summarized briefly as two closely related aspects between the Chaos and the Chaotic Narrative.We would get some conclusions if we explore the artistic characteristic and literary significance of Zhao Benfu's novels from the perspective of Literary Anthropology.
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