因假自戕,求真自救——评刘震云长篇新作《一日三秋》  

Killing Yourself for Hypocrisy and Saving Yourself by Seeking Truth:A Book Review of Liu Zhenyun's New Novel Laughter and Tears

作　　者：丰明启 FENG Ming-qi(School of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《徐州工程学院学报（社会科学版）》2023年第4期44-50,共7页Journal of Xuzhou Institute of Technology：Social Sciences Edition

摘　　要：刘震云新作《一日三秋》作为其“延津系列”的续写,以笑话结构伦理、人心和命运,打通了虚与实、人与鬼的界线,绘制出两代延津人可悲、可笑、可叹的人生画卷。精心布局的真假之辨中,细数了一幕幕异化又合从的自戕群像,和少数求真以图存的自救个体。在创作上,既有不同以往的超验文化、简洁言说和缜密叙事,又具一贯的谐谑语调和讽刺精神,呈现出有变亦有常的创作风格,在对世道人情和乡土伦理的反思中讲出了极富生命力的中国故事。Liu Zhenyun's new novel Laughter and Tears,as a continuation of his"Yanjin Series",breaks through the boundaries between virtual and real,man and ghost with jokes to organize the structural ethics,people's heart and fate,and draws a ridiculous but deplorable picture of life of two generations of Yanjin people.In the careful layout of the distinction between true and false,scenes of self-destructive images that are both alienated and compliant are recounted,as well as a few self-redeeming individuals who seek truth for survival.In terms of creation,there is unique transcendental culture,concise language,and meticulous narrative,as well as consistent spirit of humor and satire,presenting a normal but changeable creative style,and telling a story of China with great vitality in the reflection on human feelings and local ethics.

关 键 词：刘震云 一日三秋 主题 风格 

分 类 号：I207.4[文学—中国文学]